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Theses/Dissertations from 2012

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The Mind Commands the Text and Meets Resistance: The Emotional and Intellectual Implications of Saint Augustine's Reading of Virgil, Nina Quirk-Goldblatt

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An Eloquently Rendered Rage: Women and Violence Re-imagined in Fairy Tales by Angela Carter and Joyce Carol Oates, Sarah Rosenthal

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A Cry from Death: Haiti's Zombi Amidst and as a Critique of the Power of Knowledge and Representation in American Narratives of Haitian Peasant Life, Andrew Rybak

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It's Written In A Language That Was Meant To Fuck You Up: The Work of Ryan Adams, Conor Seidman

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Because Such Fingers Need To Knit: Reunion and Ecstasy in Jane Austen’s Persuasion, Tara E. Sheffer

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The Role of Empathy in the Works of David Mamet, Neil LaBute & Harold Pinter, Joseph Sims

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The Infinite Contain: Ever-Expanding Boundaries and Feeling Included in the Poetry of Emily Dickinson, Anna Swann-Pye

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"We Was Girls Together": The Literary Progeny of Harriet Jacobs, Nella Larsen, and Toni Morrison, Rebecca Webb

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"To Keep The Touch Green": Death and the Poetics of Robert Duncan, Mary Weston

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The Most Positive Form of Human Expression: A Study of the Relationship between Peak Experiences and Drag Performance, Landon C. White

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“In The Sound”: Schopenhauer and the Musical Manumission of the Slave, Caitlin Youngquist

Theses/Dissertations from 2011

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The American History of Repression (a Camp Parody): Performance, Identity, and Society in James Ellroy's Underworld USA Trilogy, Evan P. Bustria

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Madness & Control, Penn Chan

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Poor Old Horse: Tragicomedy and The Good Soldier, Matthew Christian

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Haruki Murakami's The Wind-Up Bird Chronicle: The Power of Storytelling, Dennis M. Donnelly

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Revolutionary Ideologies and Poetic Realities: The Politics of Narrative Ambiguity in Twentieth-Century Russian and Mexican Fiction, Eve Gecker

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A Singing Country: American Folk Expression and The Lomax-Hurston-Barnicle Expedition of 1935, Odetta B. Hartman

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Love Without Organs: A critical analysis of Robert Creeley's poetry as elucidated by Guattari and Deleuze's BwO, David Hyman

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Translation of Bernard Werber's 'Nos amis les Humains', Peter Nikolayevich Karpushin

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The Sound and the Fury: A Screenplay Adaptation, Brenna Kouf

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Delinquent Palaces, Amelia Marini

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Elizabeth Bishop and The Life of Her Poetics, Elizabeth Maslin

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"And She is Also Me" Discovering the Womanist Critique in Brooks, Clifton and Giovanni, Sarah Mooney

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Kitsune and the Four Worlds, Shaine Morgan

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The Longest Fall: Excerpts and Analyses, Thomas A. Norman

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"Go now and tell them": Bulgarian folksongs and political resistance to the Turkish "yoke", Thea Piltzecker

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Joyce's Open War: A Revolution in Exile, Michael Porter

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The Sure Reality, Shaheen Qureshi

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Fled is that Magic: The Uses of Enchantment in John Keats and Led Zeppelin, Jenna M. Ruggiero

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The Book of Monelle, Kit Schluter

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What is a Woman? Tolstoy's Moral and Social Dilemmas, Catherine Schmitz

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Towards A Noble Unconscious: The Dialectical Legacy of Late Modernism, Brian C. Shewfelt

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Signals From Babel: The Influence of Jorge Luis Borges on Metafiction of the Late Twentieth Century, Emma Stamm

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The Thinking Climax: Feminist Rewritings of Sexual Sensationalism, Julia L. Stern

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Dead Bodies in Big Houses: A Search for Agency in Literary and Visual Texts, David Toropov

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Seneca to Shakespeare: Tracking the Influence of Tragedy, David Wiley

Theses/Dissertations from 2010

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Restless Waves, Endless Striving: The Absence of Finality in Moby-Dick, Natalia S. Drozdiak

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Indelible Marks and Impossible Tasks: The Solitary Pursuit of the Past in Proust, Nabokov and Sebald, Katharine Faith Ehrenberg