2009
CURIOUSER: An Historical Inaccuracy & The Embryonic Art An exploration of the artist as translator, Brian Dorsam
The Development of Stage Management from the Elizabethan Era to Present, Including Theories and Improvements on Modem Stage Management, Valerie Ellithorpe
Refiguring Desire: Kehinde Wiley's Subversion of the Decorative Body, Kathryn Gile
What Joe Orton Saw: How Joe Orton's satire was able to expand society's world views, Melissa Goldschlager
Angels in Continuum Transforming the AIDS Epidemic on the American Stage, Joanna Gurin
curiouser An Historical Inaccuracy & Hunting for the Snark Amongst the Carrolls, Veronica Hunsinger-Loe
A REALLY MEANINGFUL ESSAY Three Theater Artists Deal with Customary Notions of What Makes Art Meaningful & CURIOUSER An Historical Inaccuracy, Nathaniel Kusinitz
Hippolytus' Indifference: Repressed and Suppressed Sexuality from Euripides to Sarah Kane, Nicholas Libowitz
The Death of Philosophy: Making Something out of Nothing, Zoe Morris
It's A Nightmare Really: Contemporary Adaptations of the House of Atreus Story, and the Fulfillment of Justice., Katherine Motzenbacker
FANTASIES/REALITIES/DISAPPOINTMENT: Examining the role of fantasy in Jean Genet's The Maids and The Balcony, Amaia Skerritt-Perta
Tyranny in Sharp Relief: Rainer Werner Fassbinder and Representational Dilemma, Samuel Stonefield
2008
The Activity of Art: The Production of Action in Italian Futurist Theater and the Bread and Puppet Theater, Max Cramer
We Must Keep Up Appearances: Farce and Joe Orton 's Progressive Comedy, Adam Goldman
Arlecchino to the Daily Show: Tracing Political Comedy Through History, Trevor McGinn
Challenging the Status Quo: Ritual Subversion in Fairy Tales, Politics, and Theatre, Claire Moodey
Potemkin Village Idiot: The Theatricality of the Bush Administration, Jesse Myerson
Prowlers in the Night. A Play And I Am Not a Torturer: A Reading of Sarah Kane's Blasted, Ariel Stess
What Are Poets For?, Megan Winters