2020
From Holy German Art to Degenerate Art: Nazi Ideology and Opera, Jingyi Zhou
2016
On the Marionette: A Reflection of the Grace, Poetics and Mechanics of Movement in Heinrich Von Kleist's Writing, Melany Louise Radkai-Dobson
2015
2014
Imagining the Slamily: Community in Berliner Slam Poetry, Ethan M. Jones
2013
Reports of My Death Have Been Greatly Exaggerated: Albert Schweitzer’s Jesus in German Literature, Louise Milliken Brinkerhoff
The Jealousy of the Pharaohs: a fourth person exploration of why life is worth living, Roca-Lisa Kira Kartzmer
Missverstehbar: Patterns of Understanding in Elias Canetti's 'Die Stimmen von Marrakesch', Kerk Joseph Klein Soursourian
Hannah Arendt, Tibor Tollas, and the Hungarian Revolution, János Sutyák
2012
Plattenbau: Between Condemnation and Fascination, Understanding the Turbulent History of Industrial Domestic Architecture in Germany since 1900, Lianna O'Brien
Self-Help Therapy: A Critical Introduction to Ruediger Dahlke's Shadow Therapy, Renata Rakova
2010
Cultural Work and Working Culture: The Notion of Cultural History in the Gennan Volksbildung Movement An Analysis in Verse, Essay and Image, Leslie Allison
Breaking the Magic Spine: Women Under the Editing Thumb of Wilhelm Grimm, Nicole Hedinger
2009
The Final Solution to Germany's Forced Labor Question Wiedergutmachungspolitik in the 21st Century, Ori Behr
The Fire-Bringer In Flux: The Relevance of Prometheus and Rebellion in Goethe, Kafka, Brecht and Muller., Willis Crichton
PISTOLS FOR TWO, CHAMPAGNE FOR ONE Honor, the Duel, and the Ideology of Total War in Imperial Germany, Kaja Dawkins
The Androgyne: A Cultural History of the Weimar Republic, Aya McKeen
Women, Witches, and Magic: How the History of Witchcraft Shaped the Grimm Brothers' Kinder- unci Hausmarchen, Theodore Quinlan
Kurzgeschichten als Zeugen des Nachkriegszeitgeistes Eine Analyse der deutschen Schuld, Alexandru Tiroch
2008
Forgetting is the Oar, Memory the Rudder: Methods of Aspiration in Goethe's Faust, Daniel Fishkin
2007
Searching for Ideals: An Exploration of Three German Expressionist Dramas, Ellen Jordan