Date of Submission
Spring 2024
Academic Program
Art History and Visual Culture; Italian Studies
Project Advisor 1
Karen Raizen
Project Advisor 2
Olga Touloumi
Abstract/Artist's Statement
An exploration of role of intermediality and pictorial citations within two prominent post-war Italian directors, Luchino Visconti's "Il Gattopardo" (1963) and "Senso" (1954), and Pier Paolo Pasolini's "La Ricotta" (1963) and "Teorema" (1968).
Open Access Agreement
Open Access
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Pather, Zoey, "From Paintbrush to Screen: Intermediality in Luchino Visconti and Pier Paolo Pasolini's Cinematic Worlds" (2024). Senior Projects Spring 2024. 221.
https://digitalcommons.bard.edu/senproj_s2024/221
This work is protected by a Creative Commons license. Any use not permitted under that license is prohibited.
Included in
Art and Materials Conservation Commons, Contemporary Art Commons, European History Commons, Italian Linguistics Commons, Italian Literature Commons, Other Film and Media Studies Commons, Other History of Art, Architecture, and Archaeology Commons, Painting Commons, Renaissance Studies Commons, Visual Studies Commons