Date of Submission
Spring 2024
Academic Program
Film and Electronic Arts; Literature
Project Advisor 1
Daniel Williams
Project Advisor 2
Richard Suchenski
Abstract/Artist's Statement
In the mid 1930s, Eddie Cantor—radio and film star, former stage actor, philanthropist, songwriter, and author of numerous best-selling comedy books—was one of the most popular celebrities of his time. Ninety years later, his name does not spark recognition in even some of the most fervent fans of Old Hollywood. Those who enjoy and celebrate the accomplishments of Eddie Cantor live in a small, private Facebook group with roughly 800 members. Throughout my project, I will attempt to uncover what made Cantor so popular by close reading his pre-code film performances in Whoopee! (1930), Palmy Days (1931), and Roman Scandals (1933). By paying attention to the subversive elements of his film persona—his Jewish identity, fluid gender and sexuality, and his role as a populist everyman—I will analyze how Cantor used subversion to create a film persona that would last him throughout the 1930s, the peak of his popularity. Over the course of four years, we will follow Eddie as he engages in both “makin’ whoopee” and crafting a unique persona that differed markedly from his contemporaries.
Open Access Agreement
Open Access
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Kaperonis, Zoe Grant, "Makin' Whoopee: Creating Eddie Cantor on Screen" (2024). Senior Projects Spring 2024. 150.
https://digitalcommons.bard.edu/senproj_s2024/150
This work is protected by a Creative Commons license. Any use not permitted under that license is prohibited.
Included in
American Film Studies Commons, American Popular Culture Commons, Film and Media Studies Commons