Date of Submission

Spring 2024

Academic Program

Art History and Visual Culture

Project Advisor 1

Heeryoon Shin

Abstract/Artist's Statement

This project argues for the urgency of scholarship, inherent artistic sensibility, and legitimacy of modern, religious, spiritual, visionary, untrained, and self-taught art from the American South which challenges conventions of materials and exhibition. The research focuses on two specific African-American visionary outsider artists named James Hampton (1909-1964) from South Carolina and Washington, D.C., and Purvis Young (1943-2010) from Miami, Florida, both of whom defied white and classical standards of beauty and value. The subject of education will shape my argument, comparing how the differences in artistic opportunities, training, and support systems in the South versus the North impact Southern, self-taught, outsider artists. Another overarching theme of this paper is the concept of Black Modernism in the context of the Great Migration and the Harlem Renaissance. This project also connects the appropriation of Africanism by white artists to the exploitation of self-taught, Southern outsider artists by art dealers, collectors, and scholars who distort and re-write the art's narratives.

Open Access Agreement

Open Access

Creative Commons License

Creative Commons License
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