Date of Submission
Spring 2022
Academic Program
Music; Experimental Humanities
Project Advisor 1
Peter L'Official
Project Advisor 2
Sarah Hennies
Abstract/Artist's Statement
The rise of music streaming platforms such as Spotify, and the concurrent emergence of what is broadly known as "the attention economy" have radically shifted the aesthetics of the music industry, as well as the artistic subjectivities of artists that operate within this paradigm. Through a formal analysis of Spotify's recommendation algorithm, I argue that algorithmic curation systems such as Spotify's create a new cultural paradigm that has replaced Adorno's conception "culture industry." What has replaced it is a dispersed meritocracy where success is determined by how well individual cultural actors conform to the preferred aesthetics of algorithmic platforms. Using the emerging genre of "hyperpop," the rise of Lil Nas X as facilitated by social media and analyzing how fans use the music of Mitski on TikTok as case-studies, I explore how these dynamics play out across platforms and genres. I argue that social media platforms such as Twitter and TikTok help to intensify the preferred aesthetics of streaming platforms such as Spotify, working to severely limit the creative possibilities of musical artists.
Open Access Agreement
Open Access
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Hess, Tobias, "Momentary Musics: How Spotify and the Attention Economy Transformed Music from Art Form to Affect" (2022). Senior Projects Spring 2022. 168.
https://digitalcommons.bard.edu/senproj_s2022/168
This work is protected by a Creative Commons license. Any use not permitted under that license is prohibited.
Included in
American Popular Culture Commons, Digital Humanities Commons, Music Theory Commons, Other Music Commons, Theory and Criticism Commons