Date of Submission
Spring 2015
Academic Programs and Concentrations
Art History
Project Advisor 1
Alex Kitnick
Project Advisor 2
Susan Merriam
Abstract/Artist's Statement
Saret performs the erasure of the production-consumption-based economic system, as well as the modern American society that it structures, by visually, physically, and philosophically returning to the imagined origin. The form of Saret’s Ghosthouse, a conical structure built of corrugated wire mesh with an irregular oculus at its peak, speaks of archetypal and “primitive” architecture and geometry. Saret built this structure by working industrially produced materials by hand, and then lived within it for several months, relying upon only what he could construct. Saret designated Ghosthouse as a place of ritual and sanctified mode of life, using the construction to occupy the territory upon which it was built according to his vision of art integrated into life in the service of fostering an enlightened society.
Open Access Agreement
On-Campus only
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Recommended Citation
Gunuey, Emma Kalafa, "Primary Functions: Alan Saret’s Installation for Man" (2015). Senior Projects Spring 2015. 298.
https://digitalcommons.bard.edu/senproj_s2015/298
This work is protected by a Creative Commons license. Any use not permitted under that license is prohibited.
Bard Off-campus DownloadBard College faculty, staff, and students can login from off-campus by clicking on the Off-campus Download button and entering their Bard username and password.