Date of Submission

Spring 2019

Academic Programs and Concentrations

Art History; Latin American and Iberian Studies

Project Advisor 1

Susan Aberth

Abstract/Artist's Statement

An analysis of self-taught artists in the American South centered on the concept of the 'yard show.' This is an in-depth examination of the manner in which evangelical rhetoric and doctrine effects signage, painting, and sculpture. This involves an exploration of the history of evangelicalism in the Southern United States, a critique of the role of the museum in self-taught art, and an analysis of missionary intentions and cults of personality surrounding work by untrained artist. Artist examined in this paper include: Howard Finster, Joe Minter, Herman Dennis, Mary Proctor, Sister Gertrude Morgan, and Nellie Mae Rowe. Thornton Dial and Lonnie Holley are featured tangentially.

Open Access Agreement

Open Access

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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