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Theses/Dissertations from 2016

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Lust Gluttony Greed, Abigail Adele Matthews Adler

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The River of Blood: An analysis of the process and production of FURY and the Senior Theater Festival INFERNO, Aleah Willa Black

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Pawns: Value Perception, Need Diversity, Soraya Jo-Anna Cain

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Limbo Limbo Limbo, Lauren Nicole D'Ottavio

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Bobok: A Theater Piece Exploring Heresy, the Afterlife, and the Art of Translating Text to the Stage, Eileen Marie Goodrich

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The Marriage between Fury and Fervor: An analysis of the performance FURY, as part of the Senior Project Theater Festival, Inferno, Michael Anna Gray

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The Fish Show: An Experiment in Collaborative Theater, Ricardo Antonio Irizarry

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Entrapment: An Exploration of Blackness in the Theater World, Imani Jones

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Fraud:Just Fraud, Kedian Elizabeth Keohan

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Limbo Limbo Limbo: At Least We're Not Getting Stabbed in the Eye, Ayla Diane Miller

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Fraud: Just Fraud, Reeves David Ion Morris-Stan

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O Langu, Cullan Joseph Powers

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Lust, Gluttony, Greed: A Collaborative Piece about Four Women in Hell, Leah Katherine Rabinowitz

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LUST GLUTTONY GREED; A Collaborative Piece Exploring Modern Systems of Power and Dante's Inferno, Eleanor Parker Robb

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The Fish Show: A Meditation on Violence, Ethan Isaac Rogers

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The Vestibule or, Six Ways Death is a Dying Art, Dana Anne Shimkoski

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Adaptation as Transmutation: Shakespeare in Orson Welles "Voodoo" Macbeth and Kurosawa's Throne of Blood, Ruby Elizabeth Smyth Meyers-McEnroe

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Tired/Barren/Alone T>B>A : A performance by one man for the world., Jean-Paul Demitri Zuhur

Projects from 2015

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Holy Thieves, Jordan Brooks Bodwell

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Conversations of this River Valley, Cydney Cathalene Chase-Bartell

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Just Another Block: A Solo Performance Piece on the U.S. Incarceration System, Marisol Grace Parker Crawford

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Vincent: A Solo Performance, Patrick Cuervo Dwyer

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A King's a King: a Brechtian retelling of Shakespeare's Macbeth, Omar Yokoe Forrest

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Puff Piece Pass by The Paranoid Prophet, Michael Cary Kulukundis

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In the Mind of the Manipulated Man: A Reflection on A King's a King: A Brecht Retelling of Macbeth, Michael Lazarus

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Without Prospero: A Staged Reading and Continuation on Shakespeare's 'The Tempest', Samuel T. Robotham

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Pasiphae, Ezra San Millan

Theses/Dissertations from 2014

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TRUE STORIES: RECOGNIZING HUMANITY THROUGH CHARACTER-BASED THEATER, Harrison Benson Beer

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I'm Not Finished — Done, Dimitri A. Cacouris

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Changes, Pauline Hope Chalamet

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This Is Why We Play: A pilot program in drama training at the Anderson Center for Autism, Kathleen B. Edery

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The Funny Thing About Blood, Mary Elizabeth Gilbert

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Things I Never Told My Father, Eric Benjamin Gordon

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Something Something, Sebastian Ervar Gutierrez

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Pool Party, Benjamin Walter Hopkins

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After/Before: a devised theatrical exploration of memory and Alzheimer's, Sean Byrum Leo

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A Reflection on the Creation and Realization of: Bleeding Chunks from Sarah Kane's Cleansed, Jacqueline Christine Reddington

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Stuff, A solo performance, Konstantinos Rizos

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The First Rule of Camp Club: A Case Study of Jack Smith, John Kelly and Jack Ferver, Victoria Teresa Rulle

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LADY M: A Silhouette, Rebecca Victoria Silbert

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Seussnoff Presents: A Daisy for the Crazy, Claire Mercedes Thompson

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Senior Project, Paul S. Weintrob

Theses/Dissertations from 2013

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Glass Ceilings, Cara Maya Chalk

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The Eroticized Neurotic: Envisioning Female Madness in William Shakespeare's 'Hamlet' and Sarah Kane's '4.48 Psychosis', Sonia Clare Feigelson

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From Adler to Mumblecore: The New Reality of the New Reality, Schuyler Rishona Helford

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Color-Blind Casting: An Equalizing Force or a Failed Experiment?, Imani Elizabeth Jones

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Female Specimens and Investigating Playwrights' Intents in Political Plays, Julia Noelle Koerwer

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One is Dead, One Dies, and Two Dig: The Four Fools of Hamlet, Sarah Loucks

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The Belly of the Whale, Marta Clare McKeown

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Bread and Water: A Word on Grief, Hannah Rachel Mitchell

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[un]Spoken word(s): A Play, and an Exploration of the Personal Efficacy Of Political Solo-Performance, Sarah Elizabeth Mitchell

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Women as a Force in Theater; An examination of the Restoration Period in England, Keaton Ana Josephine Morris-Stan

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Peeking Through Fingers: The Artaudian Legacy of Sarah Kane, Sarah Whitney Poor

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What Could Have Been: The Transformative Effect of Site-Specific Performance on Space through the Evocation of Memory, Alexander Teale Setzko

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HIV/AIDS Awareness Theater in South Africa: The Government, the Institution, and the Individual, Sierra Simone Swann

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Devised Theater: Becoming Part of the Cannon, Moriah Langeland Van Cleef

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Savage/Love by Sam Shepard and Joseph Chaikin: Senior Project in Directing, Moriah Langeland Van Cleef

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The Mind's Menagerie: The Process of Projecting the Mind of a Genius onto the Stage, Matthew Frederick Wilson

Theses/Dissertations from 2012

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Beckett in Karpp: Fictionalized Autobiography in Krapp's Last Tape, Caleb Carlton Bark

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Laughter at Auschwitz: George Tabori’s “Theater der Peinlichkeit” and “Vergangenheitsbewältigung” in Post-War Germany, Leonie F. Bell

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Rethinking Representation: Actor and Character in Contemporary Performance, Milo Cramer

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Acting Out: The Manifestation and Enactment of Black Identity in Performance, Marlene M. Ditzig

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Hijabs, Morgan Green

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Lessons Learned: The Use of Iconic Figures in Theatre by Shakespeare, Brecht, and Kushner, Katia Koziara

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The Story of Life Before Life Ends and The Universal Appeal of Kyogen Theatre, Andrew Levy

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From Repression to Expression: How 'The Duende' Manifests Through Boundary, Marianne Rendon

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The Battle For Stanislavski: Stella Adler, Lee Strasberg, The Group Theatre and the System in America, Roisin Maire Taylor

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War and Speech: Orality, Aurality, and How Ancient Greek Theatre is Helping Modern Warriors, Madeline Wise

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Calderon's Chimera: Seeking Self-Similarity in La Vida Es Sueno, Layla Elizabeth Wolfgang

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Theater Outside of the Theater: The Role of Traditional and Non-Traditional Venues in Theatrical Performance, Benjamin Wszalek

Theses/Dissertations from 2011

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This Little Room With The Bed Too Big, a play and The Woman of Theater: Antonin Artaud’s Madness in Relation To the Plays of Maria Irene Fornes and Rochelle Owens, Ann Marie Dorr

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Activating Community: An Exploration of Transformation in Community-Based and Investigative Theatre, McCambridge Dowd-Whipple

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Acting Out: The Influence and Implementation of Theater Theory and Dramatic Technique in the Field of Drama Therapy, Kathleen C. Filson

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Co-opting Creation: The Manipulation of Identity Through Kabuki, Marguerite French

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What a Performance! Evaluating Authenticity in the Performances of Three High-Profile American Icons, Taylor M. Lambert Mr.

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Wilting Flowers: An Exploration of the Metatheatricality in Fernando Arabal's Prison Play And They Put Handcuffs on the Flowers, Rachel R. Marks

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Choice, Opportunity and Infinite Possibility: The Development of Devised Theater as a Means of Recreating the Role of the Audience, Molly A. Marx

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Part I: How to Read Brecht as a Director and as an Actor: An Exploratory Lecture Part II: Directed How I Learned to Drive by Paula Vogel November 10-13, Zia Affronti Morter

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"I Already Got Your Money Dude:" A Look at the Audience/Actor Relationship from Ritual Performance to Contemporary Times, Malka E. Roth

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Crying "Theater" in a Crowded Fire: Audience Performer Relations and Using Theater for Social Change, Eva Steinmetz