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Theses/Dissertations from 2011

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Allers et Retours Littéraires: Franco-Chinese Literary Connections from Voltaire to Gao Xingjian, Xiao Chen

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Invisible Forces: Music and Magic in Early German Romantic Opera, Sean G. Colonna

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Can We Relate?, I Never Got the Message, Isabel Cottingham

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La Migraine, An Eveining of Poetry, Dance, & Classical Song, Emily Cuk

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Murray Bookchin: American Contrarian, Lucas Denton

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Can Education reduce social inequality and improve employment?, Nela Dojcinivic

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A Violent Reconciliation: Exploring the Rule of Law, Violence, and States of Exception Through John Ford’s The Man Who Shot Liberty Valance and Christopher Nolan’s The Dark Knight, Nathan Donarum

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Of trUction eraNts: On Benito Mussolini and Ezra Pound, Andrew Durbin

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Proof of Me, Devra Fox

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On the First Order Axiomatization of Mal'cev Terms for Quandles, Solomon Garber

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Comparative Analysis of Di, Yulia Genkina

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Stand Still A Moment, Mehla Goodrich

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Creative Meditations & Momentary Affinities: Beyond the Body, Publication, & Estrangement In The Poetic Works of Edward Taylor, Emily Dickinson, Jack Spicer, & Mario Santiago Papasquiaro, Alexis Graman

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The Quiet Circus: The Colorful, Complicated, Slightly Schizophrenic, History of Early Computer Art at Bell Labs, Alexander Jenseth

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DID YOU 방금 만져 MES CHEVEUX?, Buyong Jessica Lynn Kim

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My word is your words and Your words are My word: Royal Kabary, Rumors, and Markets, Buyong Jessica Lynn Kim

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Carolingian Medieval Manuscripts: Reception and Controversies Surrounding the Ebbo Gospels and Utrecht Psalter, Madeleine Kiwak

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The Narkomfin Building: Housing the Transitional Ideal, Stefan Klecheski

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Shifting Worlds: Ambiguity in Andrei Bely's Petersburg, Jesse C. Klompus

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The Tea Party Movement and the Republican Party: Political Movements and Their Interactions With Traditional Party Structures, Brian Kotkin

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The Homecoming, Katia Koziara

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HOLD ME TIGHT // I NEVER GOT THE MESSAGE, Brieze Levy

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OK Margaret, This Is Your Moment, Emma Mead

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Part I: How to Read Brecht as a Director and as an Actor: An Exploratory Lecture Part II: Directed How I Learned to Drive by Paula Vogel November 10-13, Zia Affronti Morter

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THE FLOOD, Leyla Mozayen

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The Sure Reality, Shaheen Qureshi

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The Sirk Soap: Conventionalism and Sensationalism in Written on the Wind, Miriam Ritchie

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La otredad insuperable en los Poemas humanos: una exploración de la obra poética póstuma de César Vallejo, Lindsey Scoppetta

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Pedroland/Fantasyland: The Construction of Mexico at South of the Border and EPCOT's Mexico Pavilion, Nicole V. Stein

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The United States, France, and the International Criminal Court, Amanda K. Vance

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Mephistopheles Rules: Hector Berlioz’s The Damnation of Faust, Xinyi Xu