2011
Allers et Retours Littéraires: Franco-Chinese Literary Connections from Voltaire to Gao Xingjian, Xiao Chen
Invisible Forces: Music and Magic in Early German Romantic Opera, Sean G. Colonna
Can We Relate?, I Never Got the Message, Isabel Cottingham
La Migraine, An Eveining of Poetry, Dance, & Classical Song, Emily Cuk
Murray Bookchin: American Contrarian, Lucas Denton
Can Education reduce social inequality and improve employment?, Nela Dojcinivic
Of trUction eraNts: On Benito Mussolini and Ezra Pound, Andrew Durbin
Proof of Me, Devra Fox
On the First Order Axiomatization of Mal'cev Terms for Quandles, Solomon Garber
Comparative Analysis of Di, Yulia Genkina
Stand Still A Moment, Mehla Goodrich
The Quiet Circus: The Colorful, Complicated, Slightly Schizophrenic, History of Early Computer Art at Bell Labs, Alexander Jenseth
DID YOU 방금 만져 MES CHEVEUX?, Buyong Jessica Lynn Kim
My word is your words and Your words are My word: Royal Kabary, Rumors, and Markets, Buyong Jessica Lynn Kim
Carolingian Medieval Manuscripts: Reception and Controversies Surrounding the Ebbo Gospels and Utrecht Psalter, Madeleine Kiwak
The Narkomfin Building: Housing the Transitional Ideal, Stefan Klecheski
Shifting Worlds: Ambiguity in Andrei Bely's Petersburg, Jesse C. Klompus
The Tea Party Movement and the Republican Party: Political Movements and Their Interactions With Traditional Party Structures, Brian Kotkin
The Homecoming, Katia Koziara
HOLD ME TIGHT // I NEVER GOT THE MESSAGE, Brieze Levy
OK Margaret, This Is Your Moment, Emma Mead
Part I: How to Read Brecht as a Director and as an Actor: An Exploratory Lecture Part II: Directed How I Learned to Drive by Paula Vogel November 10-13, Zia Affronti Morter
THE FLOOD, Leyla Mozayen
The Sure Reality, Shaheen Qureshi
The Sirk Soap: Conventionalism and Sensationalism in Written on the Wind, Miriam Ritchie
La otredad insuperable en los Poemas humanos: una exploración de la obra poética póstuma de César Vallejo, Lindsey Scoppetta
Pedroland/Fantasyland: The Construction of Mexico at South of the Border and EPCOT's Mexico Pavilion, Nicole V. Stein
The United States, France, and the International Criminal Court, Amanda K. Vance
Mephistopheles Rules: Hector Berlioz’s The Damnation of Faust, Xinyi Xu